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Museo della Permanente Milano

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Società per le Belle Arti ed Esposizione Permanente

 


 

Permanente – Historical Overview

The Società per le Belle Arti (Fine Arts Society) and the Esposizione Permanente di Belle Arti (Fine Arts Permanent Exhibition) were founded in Milan respectively in 1844 and 1869.

The two societies co-operated for the first time in 1881, when they organized the Esposizione Nazionale di Belle Arti (Fine Arts National Exhibition), which was part of the Esposizione Nazionale taking place in Milan in the same year.
In 1884 the two societies were merged, thus originating a new association, which took the current name of Società per le Belle Arti ed Esposizione Permanente (Fine Arts Society and Permanent Exhibition).

As ratified by a Royal Decree issued by King Umberto I in 1884, its nature was that of a free association of artists. On 25 April 1886 the Neoclassical building designed by Luca Beltrami was inaugurated in Milan, in via Principe Umberto (currently via Turati). An outstanding contemporary art exhibition marked the opening.
Between the end of the 19th and the beginning of the 20th Century Permanente, together with Accademia di Brera (Brera Academy of Fine Arts), represented the most important venue in Milan for art exhibitions.

These two institutions collaborated frequently and, since 1908, Permanente hosted the exhibitions known as Biennali di Belle Arti, which had originally been held at Brera. During those years Permanente organized group and solo exhibitions by the most important artists (many of whom were members of the association) and movements of that period, including Divisionism, Futurism and Novecento.

Besides exhibitions of modern and contemporary painting and sculpture, Permanente hosted several displays dedicated to engraving and photography as well as concerts and literary events, which shows what a great variety of art and cultural events the association offered. During the Second World War, in 1943, the building was seriously damaged by the bombings.

In 1950 started the reconstruction, which would carry on until 1953 and was planned by architects Achille Castiglioni and Luigi Fratino according to rational and functional criteria. The remarkable exhibition La donna nell'arte da Hayez a Modigliani was organized to celebrate the new opening.
From that moment onwards, Permanente focused its efforts in two different directions. On one hand it devoted itself to the analysis of important periods, art styles and individual artists from the past, with particular attention to the 19th and 20th Century.

In 1966 a memorable series of exhibitions begun with Scapigliatura, followed by Divisionismo, Liberty in Italia, Arte e socialità in Italia dal realismo al simbolismo, Il Novecento, Stanze del paesaggio lombardo: da Boccioni a Morlotti, Una stanza a Montmartre: il paesaggio francese nella pittura italiana da Boldini a Birolli and also by solo exhibitions of famous artists, such as Daniele Ranzoni, Medardo Rosso, Giovanni Segantini, Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Massimo Campigli, Arturo Martini, Achille Funi, James Ensor, Jean Arp and Frida Kahlo.

On the other hand Permanente has focused its attention on contemporary art, to which it has dedicated many temporary solo and group exhibitions, as well as developing a partnership with foreign institutions and conducting research on more recent art movements and styles.
For more than a century Permanente has strived to independently promote culture, not only in Milan but also nationwide and abroad, thus keeping true to its original intent.

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  © Toni Garbasso  
         
© Toni Garbasso